Equitable education doesn’t obliterate a people’s history

This week we hosted a film screening of In My Blood It Runs as part of our Life Long Learning Series, and storytelling for a better world.

Film Synopsis

Ten-year-old Dujuan is a child-healer, a good hunter and speaks three languages. As he shares his wisdom of history and the complex world around him, we see his spark and intelligence. Yet Dujuan is ‘failing’ in school and facing increasing scrutiny from welfare and the police. 
As he travels perilously close to incarceration, his family fight to give him a strong Arrernte education alongside his western education, lest he becomes another statistic. We walk with him as he grapples with these pressures, shares his truths and somewhere in-between finds space to dream, imagine and hope for his future self. 

Discussion after the film

The film was watched by a wide audience of educators and students and was followed by a lively Q&A. We feel the Q&A was an important and honest discussion about the film itself and the storyline. Although this film is based in Australia, it was recognised that the same story is played out here in the U.K. and indeed across the world on a daily basis. 

If you missed the Q& A you can watch it here:


Feedback from students who have watched the film:


Q: Did the film spark any ideas of how you could advocate for changes to education, youth justice, or anti-racism?

           

“Going on protests and educate other people” - Student, Year 8

           

“Not tell history from one point of view, include all cultures.” - Student, Year 12

           

“Provide more lessons that educate about the original history.” - Student, Year 12

           

“Including histories of native cultures before colonialism” - Student, Year 12

           

“Recognition of all cultures in classrooms in all countries.” - Student, Year 13

           

“By protesting, online social activisms, group work, posters, donate to charities.” - Student, Year 13


“With teaching children what is right could help more to grow a new generation of free minded children.” - Student, Year 8



Get involved, watch the film


We hope this event will be a catalyst for future conversations here in the U.K. and globally. If you would like to watch the film with your students in the autumn term please get in touch by e-mailing admin@stevesinnottfoundation.org.uk


To rent or purchase the film to watch at home with your family: https://inmyblooditruns.com/screenings/#uk


If you are interested in hosting a screening of In My Blood it Runs, or want to show the film in your school, the cost is £50 for a licence for a year. This comes with the teaching resource, including sample lesson plans.


You can get a licence here: togetherfilms.org/shop/imbir-educational-license/


Or email Together films for more information: inmyblooditruns@togetherfilms.org


If you would like to support the work of The Steve Sinnott Foundation in this area you can buy a ‘digital gift’ for someone by clicking the button below:

Buy The Gift Of A Mother Tongue Book


Panel Speakers Biographies


Evadne Bygrave is an educator, life coach and innovator. Inclusion is the driving force behind her enterprising work. Sing a Book CIC engages children in reading through song, capturing the essence of books and infusing them with catchy rhythms. Her musical adaptations include ‘Into The Forest’ and ‘Kate Meets Dido Elizabeth Belle’. Evadne produced and directed the musical, and the sequel ‘Dido Through the looking Glass’ performed by communities under-represented in the theatre. She devised SCIP (School Career Intervention Programme), resining the aspirations and prospects of disadvantaged, underachieving pupils entering secondary school. https://www.singabook.com/


Malcolm Richards is currently a researcher studying race, dialogue and culturally sustaining pedagogies at the University of Exeter in the UK. He researches cultural community asset-based approaches for resource development in rural classrooms. Previously, he worked as a school teacher, senior leader and advisory teacher across the UK. He is a trade union activist, supporting transformation of education institutions for communities which ensure equality for all. He has written extensively about race, equality and cultural sustaining education, in articles, journals and books. He tweets at @malcolmrichards. 


Mandekh Hussein is driven by initiatives grounded in collaboration, sustainability, and ownership. She takes part in efforts centred on equipping individuals and communities with the resources, skills and opportunities to actualize their vision, find new opportunities and widen their horizons. Currently she is a Lecturer at Brunel University (focused on curating skills to deliver sound, sustainable and positively impactful transformation), CEO of Eastside Youth, Strategic consultant, focused on addressing health inequities through co-production and an education and empowerment practitioner, working on the nexus between community transformation and EduTech.


Rebecca Ashdown is currently Campaign Director at Together Films. Together Films is an impact distribution agency, specialising in social impact films. Together Film are currently managing the UK release of In My Blood It Runs. 


This film was shown as part if the Foundations Life Long Learning Series. We have set up this series to share and reciprocate global learning. We having been hosting film screenings that we believe will foster dialogue about the importance of contextual education and the importance of opportunities and education for all children everywhere.


Other films in this series include Emu Runner, I am Belmaya and Madan Sara


Thank you to everyone who contributed, shared learning and enthusiasm for the Life Long Learning Series.


Steve Sinnott • July 27, 2021
By Ann Beatty May 20, 2026
How a simple act of practical solidarity is transforming the journey to school in The Gambia’s Central River Region North Policies have been written. Schools have been built. Yet for many children in The Gambia’s Central River Region North, access to education is still measured in kilometres, not opportunity. 
By Laura Griffin May 13, 2026
‘In a single hour vast tracts of shaded woodland became a jumble of torn trees and upturned soil, exposed to the glare of the summer sun. Such land-clearing events are rare, but forests exhibit remarkable resilience in the face of disaster. I’m told that the Chinese character for ‘catastrophe’ is the same as that which represents the word ‘opportunity’. And, the blowdown, while catastrophic, presented opportunities for many species.’ (Wall Kimmerer, 2003: 89). In the context of a volatile, uncertain, complex, and ambiguous world (Stein, 2021) what kinds of education for hope might support children’s and young people’s critical engagement in local and global issues? In the spirit of exploring the possibilities of hope further, this short article focuses on the area of global citizenship and sustainabilityrelated education. It will briefly open by sharing commonalities across pedagogical approaches that take up the concept and act of hope more critically, and close by offering reflective questions for educators, with suggestions for further reading. Perhaps it is a kind of hope that is grounded in the present, in future reimagining(s), in ethical solidarity, and an acknowledgement of our deep entanglement with the living metabolism of planet earth 1 our singular home (UNESCO, 2021); a hope that engages with complex root causes and lived realities of multiple overlapping crises in critically reflexive and contextually relevant ways. As McCloskey notes, ‘Hope can fire our collective imagination and critical consciousness as a mainspring to activism and intervention in the world.’ (2025: 3). Commonalities across critical pedagogical approaches to hope include: Acknowledging the context of a ‘seamless single story of progress, development and human evolution’ (Andreotti, V.D.O., 2021b Relating to social and ecological justice and the wellbeing of people and planet Using participatory, action-orientated and inquiry-based learning processes Exploring diverse worldviews and perspectives Practising grounding in the present with opening up possibilities for change (relational, embodied, response-able 2 ) Experiencing ‘struggle’ in different forms (dialogical, selfreflexive, open-ended) Engaging individual and collective agency, action and activism Looking for lifelong and life-wide learning and unlearning. 1 See ‘Co-sensing with Radical Tenderness’, in Machado de Oliveira Andreotti. 2021a 2 See ‘Crossing Borders’ in 2 Depth Education “Depth Education and the Possibility of GCE Otherwise, 2021b. Source: Andreotti, V. 2021a & 2021b., Atif, A. (2025)., Bourn, D. 2021., Bryan. A. and Mochizuki,Y., 2024., Giroux, H.A. 2025., Meade, E. 2025. Whilst engaging in the concept and act of hope more critically reflect upon: What kinds of education for hope might you explore further and why? How might you provide generative spaces for engaging in diverse worldviews and perspectives? In what ways can you facilitate individual and collective agency? How might you support learners’ practice grounding in the present in order to relate differently? In what ways can you support learners in navigating complex root causes and lived realities of local and global issues? As Chief Ninawa Hini Kui affirms, ‘The future depends much less on the images we project ahead than on our capacity to repair relations and build relationships differently in the present.’ (Andreotti et al, 2023: 73. An invitation for further reading: Transformative Learning for a Sustainable Future . d’Abreu, C., Belgeonne, C., Bourn, D. and Hatley, J. (2025) ‘Transformative Learning for a Sustainable Future’. DERC Research Paper 24. London: UCL Institute of Education. Hospicing Modernity: facing humanity’s wrongs and the implications for social activism. Machado de Oliveira Andreotti, V. (2021a) ‘Hospicing Modernity: facing humanity’s wrongs and the implications for social activism’ , London: Penguin Random House. Development Education and Hope . McCloskey, S. (2025). (ed) ‘Development Education and Hope’. ‘Policy and Practice: A Development Education Review’ , Vol. 41, Autumn. Centre for Global Education, Belfast. Link to and download the full reference list here
By Susan Piper May 6, 2026
This summed up to me about why I volunteer for the Hands Up Project. HUP is a charity trust which, through its network of volunteers, connects children around the world with young people in Palestine. By means of online interaction, drama and storytelling activities, it enables the use of creativity and selfexpression to promote mutual understanding, personal growth, and the development of English language skills. I joined HUP in 2020 during COVID. After going to Palestine in 2017, I wanted to get more involved in working with Palestinian children in schools. HUP gave me the opportunity to link up with schools in the West Bank and Gaza. Every week I’d tell them stories from all over the world, then we’d discuss it, play games and I’d get them to retell it. Sometimes we would work from their coursebook English for Palestine’ in mutual team teaching sessions with their teacher. The simple act of telling a story became much more than entertainment. It became connection, healing, and a bridge to the world beyond their immediate reality to help them improve their language skills, and to give them a platform to speak about their lives in a language that connects them to people everywhere. I loved it, every week, seeing their smiling faces on the screen and building long lasting friendships with their teachers. I even went to Gaza in 2023 and met some of the kids I’d only seen on Zoom. It was a beautiful experience and something I will never forget. As hostilities escalated, I lost contact with everyone. I thought about where the kids were and what had happened to them. As I watched schools being bombed, universities flattened, and people killed in their thousands, I thought about where the kids I’d met were and what was happening to them. I kept in contact with many of the teachers I knew and heard daily news of displacement, destruction, hunger and bombing. Recently, I’ve started to link up again with children in Gaza, and it feels wonderful to be back helping them learn after being denied an education for over two years. Connecting with children in Palestine is more than just words. When a child in Palestine confidently tells their story to someone on the other side of the world, bridges are built, empathy grows, and the world gains a fuller picture of childhood in contexts far from peace and privilege. My work with these children is rooted in the belief that education and voice are inseparable. Through storytelling and English language learning, I witness children not just learning new vocabulary, but reclaiming their narratives, believing in their potential, and finding human connection in a world they perceive has abandoned them. And more than anything, this work reminds us all that children — everywhere — deserve to learn, to speak, and to be heard. Links to HUP information, books and resources: The Hands Up Project BY SUSAN PIPER Susan Piper is currently an ESOL teacher in Oldham, Greater Manchester and has worked in education for over 30 years. She is also a volunteer for the Hands Up Project and is the International Solidarity Officer and President of her NEU district. She believes in quality education for all and aims to make her lessons creative and inclusive so that effective language learning can take place.