Is the Curriculum fit for purpose?

Deirdre Gribbin is a music teacher, composer and artistic director at Venus Blazing Music Theatre Trust.

What if music education was at the centre of all curriculum programming in the UK education system? As a Sir Winston Churchill Fellow in Canada and the US I witnessed effective creative music programming in primary and secondary school settings where progressive collective music making was seen as imperative for the enhancement of students’ education overall.  


Let’s dream of a world without the confines of exams and time pressures absorbing vast amounts of compulsory curriculum criteria, a world that allows for the embodiment of creative collaborative music performance and composition as a central force and catalyst for cognitive and social development. Dr Nina Krauss at Northwestern University has established research which shows the impactful power of active music engagement on brain development to do with language skills and cognition. 


In my work in pedagogy as Professor in Composition at Trinity Laban Conservatoire of Music and Dance and at the Royal College of Music, I have developed teaching strategies which embody the art of creative development as a central tool for inclusion and social integration encompassing diversity with a strong awareness and respect for the individual’s ability to relate to music and creativity. 


The music curriculum in Key Stage 2 and 3 attempts to develop an understanding for group music making and creative composition, but as the curriculum becomes much narrower in secondary education, music falls from it as a staple core activity. This is just at a time when young people are struggling with issues to do with their mental health and well-being, their development of social skills and their sense of identity. I believe that a shared space for weekly collaborative composition could be a real game changer for this group of young individuals in helping them through this often difficult and isolating journey to adulthood. 


Approaches to developing creative ideas in a group activity such as composition can teach so many transferable skills. These include decision making; what to include in a piece of music that will collectively make it better, how to take initiative and lead, how to have fun and enjoyment in a focused positive goal, how to assert and gain confidence in a protected space and, most importantly, how to use this approach to music creation to foster a genuine inclusion and respect for peers and colleagues. These are skills which are imperative in any future work and social setting. 


As Artistic Director of the charity Venus Blazing Music Theatre Trust I have seen the power of this approach to creativity. I work with young people with Down’s Syndrome. In one of the greatest examples of the impact of music on cognitive development, I witnessed one of our young participants who struggled with verbal language and self-expression make the huge leap of being able to sing his name at the beginning of a session after a year of being silent. This step unlocked a quirky and inventive personality who was able to build his confidence and sense of self through his belonging to something that was important to him and where he felt that he was valued. 


As a Professor at The Royal College of Music these skills have been captured in a short film for their knowledge exchange programme where students at the college engage in programmes of reciprocal learning with the cognitively diverse participants of the Venus Blazing Music Trust. I have witnessed the positive impact of college level music students who excel at what they do giving something back and, more importantly, learning from those with different approaches to cognitive thinking and communication. 


One such student shared with me that her experience was vital to her personal well-being because it enabled her to value what she had achieved in her life and also gave her the opportunity to relate to and understand the wider community including the unfamiliar. She got there through the power that creative music making was able to unlock. 


Let’s try to change perspectives and go off-grid to make this approach to learning at all levels the norm.  




This article first appeared in Engage 25.


DEIRDRE GRIBBIN • January 23, 2023

Education for Hope in Volatile, Uncertain, Complex and Ambiguous Times

By Laura Griffin • May 13, 2026
‘In a single hour vast tracts of shaded woodland became a jumble of torn trees and upturned soil, exposed to the glare of the summer sun. Such land-clearing events are rare, but forests exhibit remarkable resilience in the face of disaster. I’m told that the Chinese character for ‘catastrophe’ is the same as that which represents the word ‘opportunity’. And, the blowdown, while catastrophic, presented opportunities for many species.’ (Wall Kimmerer, 2003: 89). In the context of a volatile, uncertain, complex, and ambiguous world (Stein, 2021) what kinds of education for hope might support children’s and young people’s critical engagement in local and global issues? In the spirit of exploring the possibilities of hope further, this short article focuses on the area of global citizenship and sustainabilityrelated education. It will briefly open by sharing commonalities across pedagogical approaches that take up the concept and act of hope more critically, and close by offering reflective questions for educators, with suggestions for further reading. Perhaps it is a kind of hope that is grounded in the present, in future reimagining(s), in ethical solidarity, and an acknowledgement of our deep entanglement with the living metabolism of planet earth 1 our singular home (UNESCO, 2021); a hope that engages with complex root causes and lived realities of multiple overlapping crises in critically reflexive and contextually relevant ways. As McCloskey notes, ‘Hope can fire our collective imagination and critical consciousness as a mainspring to activism and intervention in the world.’ (2025: 3). Commonalities across critical pedagogical approaches to hope include: Acknowledging the context of a ‘seamless single story of progress, development and human evolution’ (Andreotti, V.D.O., 2021b Relating to social and ecological justice and the wellbeing of people and planet Using participatory, action-orientated and inquiry-based learning processes Exploring diverse worldviews and perspectives Practising grounding in the present with opening up possibilities for change (relational, embodied, response-able 2 ) Experiencing ‘struggle’ in different forms (dialogical, selfreflexive, open-ended) Engaging individual and collective agency, action and activism Looking for lifelong and life-wide learning and unlearning. 1 See ‘Co-sensing with Radical Tenderness’, in Machado de Oliveira Andreotti. 2021a 2 See ‘Crossing Borders’ in 2 Depth Education “Depth Education and the Possibility of GCE Otherwise, 2021b. Source: Andreotti, V. 2021a & 2021b., Atif, A. (2025)., Bourn, D. 2021., Bryan. A. and Mochizuki,Y., 2024., Giroux, H.A. 2025., Meade, E. 2025. Whilst engaging in the concept and act of hope more critically reflect upon: What kinds of education for hope might you explore further and why? How might you provide generative spaces for engaging in diverse worldviews and perspectives? In what ways can you facilitate individual and collective agency? How might you support learners’ practice grounding in the present in order to relate differently? In what ways can you support learners in navigating complex root causes and lived realities of local and global issues? As Chief Ninawa Hini Kui affirms, ‘The future depends much less on the images we project ahead than on our capacity to repair relations and build relationships differently in the present.’ (Andreotti et al, 2023: 73. An invitation for further reading: Transformative Learning for a Sustainable Future . d’Abreu, C., Belgeonne, C., Bourn, D. and Hatley, J. (2025) ‘Transformative Learning for a Sustainable Future’. DERC Research Paper 24. London: UCL Institute of Education. Hospicing Modernity: facing humanity’s wrongs and the implications for social activism. Machado de Oliveira Andreotti, V. (2021a) ‘Hospicing Modernity: facing humanity’s wrongs and the implications for social activism’ , London: Penguin Random House. Development Education and Hope . McCloskey, S. (2025). (ed) ‘Development Education and Hope’. ‘Policy and Practice: A Development Education Review’ , Vol. 41, Autumn. Centre for Global Education, Belfast. Link to and download the full reference list here

I heard it said today by a friend that “You learn a language best when you use it to speak and write about things that are important to you. ”

By Susan Piper • May 6, 2026
This summed up to me about why I volunteer for the Hands Up Project. HUP is a charity trust which, through its network of volunteers, connects children around the world with young people in Palestine. By means of online interaction, drama and storytelling activities, it enables the use of creativity and selfexpression to promote mutual understanding, personal growth, and the development of English language skills. I joined HUP in 2020 during COVID. After going to Palestine in 2017, I wanted to get more involved in working with Palestinian children in schools. HUP gave me the opportunity to link up with schools in the West Bank and Gaza. Every week I’d tell them stories from all over the world, then we’d discuss it, play games and I’d get them to retell it. Sometimes we would work from their coursebook English for Palestine’ in mutual team teaching sessions with their teacher. The simple act of telling a story became much more than entertainment. It became connection, healing, and a bridge to the world beyond their immediate reality to help them improve their language skills, and to give them a platform to speak about their lives in a language that connects them to people everywhere. I loved it, every week, seeing their smiling faces on the screen and building long lasting friendships with their teachers. I even went to Gaza in 2023 and met some of the kids I’d only seen on Zoom. It was a beautiful experience and something I will never forget. As hostilities escalated, I lost contact with everyone. I thought about where the kids were and what had happened to them. As I watched schools being bombed, universities flattened, and people killed in their thousands, I thought about where the kids I’d met were and what was happening to them. I kept in contact with many of the teachers I knew and heard daily news of displacement, destruction, hunger and bombing. Recently, I’ve started to link up again with children in Gaza, and it feels wonderful to be back helping them learn after being denied an education for over two years. Connecting with children in Palestine is more than just words. When a child in Palestine confidently tells their story to someone on the other side of the world, bridges are built, empathy grows, and the world gains a fuller picture of childhood in contexts far from peace and privilege. My work with these children is rooted in the belief that education and voice are inseparable. Through storytelling and English language learning, I witness children not just learning new vocabulary, but reclaiming their narratives, believing in their potential, and finding human connection in a world they perceive has abandoned them. And more than anything, this work reminds us all that children — everywhere — deserve to learn, to speak, and to be heard. Links to HUP information, books and resources: The Hands Up Project BY SUSAN PIPER Susan Piper is currently an ESOL teacher in Oldham, Greater Manchester and has worked in education for over 30 years. She is also a volunteer for the Hands Up Project and is the International Solidarity Officer and President of her NEU district. She believes in quality education for all and aims to make her lessons creative and inclusive so that effective language learning can take place.

Conflict and Education

By Andy Harvey • May 4, 2026
Small children play contentedly side by side. From time to time, a toy is snatched, a child is pushed, a whine of protest arises. The teacher’s voice is steady and encouraging: use your words, not your hands; wait your turn. There will be an emotional meltdown at some point, but soothing adult words settle it quickly. Upstairs a clutch of nine-year-olds hover over a maths problem. One girl insists she knows a quicker way that she learned on social media; her friend is adamant they must stick to the method they were taught. The teacher looks on approvingly. In a nearby room, a child dabs their eyes with a tissue while a teacher speaks softly and leans in close, offering reassurance. Meanwhile, in the hall, the older children are debating government spending on overseas aid. It’s getting heated. They speak their mind and defend their views passionately: what they have heard people say, what they have seen online. The teacher intervenes, pointing to the ground rules projected on the wall: think before you speak, your words can hurt others. A pause, and then the debate surges back to life. Schools are not, and have never been, conflict-free zones: they are shaped by the pressures and tensions that exist in their communities. Besides their schoolbag, children carry the weight of personal trauma, family conflict, poverty and a kaleidoscope of influences, good and bad, through the school gates each day. Teachers and other school staff are also inscribed in conflict, as they confront the challenges of poor wellbeing, inequality and harmful social attitudes, with increasingly constrained resources. Of course, school education itself is the subject of conflict. Access to free universal education for all children has rarely been simply granted; it has been struggled for over time, and for some children remains precarious or denied altogether. But the vignettes above reveal the powerful role education can play in a world bedeviled by conflict. Children in the Early Years Setting are learning life’s first lessons: to share resources, to respect others’ space and belongings, to negotiate and to regulate emotions. The older children might be frustrated by rules that do not suit themselves personally, and others may easily forget them in the heat of the moment, but there is a collective appreciation of why the rules exist, and an understanding that the world extends beyond our own thoughts and interests and that empathy, compassion and respect are key to personal realisation and to group harmony. None of this happens by accident. It is the result of consistent, structured, professional teaching, reinforced by a nurturing homelife. It depends on adults setting boundaries with children, modelling respect, building emotional literacy, helping children understand consequences of actions and stepping in when things go wrong. What looks effortless from the outside is the outcome of daily effort. It has so much more chance of success when it is well-resourced. In Scotland, we have a curriculum that aspires for children to be successful learners, confident individuals, effective contributors, and responsible citizens. Despite its imperfections in implementation, it is a powerful declaration that education must be about more than academic attainment: it’s about nurturing and shaping the people who will have to confront challenges - personal, social, and global - which previous generations could barely have imagined. In the past year, the Educational Institute of Scotland (EIS) has collaborated with partners to develop tools for teachers to counter the effects on children of online hate. We have also supported a key project to tackle misogynistic attitudes and behaviours which are perpetuated among young people by online content and algorithms. Alongside the development of our Education for Peace policy, EIS members have engaged in the strengthening of Scotland’s Learning for Sustainability strategy to enhance the way our children relate to each other and to the natural world around them. All of this is important work in addressing conflict. However, we should never forget the criticality of the learning and teaching that goes on every day, and the importance of resourcing it properly in our nursery classes, our primary, secondary and special schools. In a world scarred by conflict, this is the quiet and healing work of hope. BY ANDY HARVEY National Officer, Educational Institute of Scotland