In Harmony With Peace Concert

On Friday evening (29 May, 7.00 pm The Actors Church Covent Garden) we had the pleasure of listening to this very special concert, bringing together the Choir of King's College London and the Princeton High School Orchestra in a celebration of international friendship, collaboration, and shared values.


This project reflects a commitment to peace, sustainability, equality, and cultural exchange, uniting young musicians from the United Kingdom and the United States through the universal language of music.

We were especially pleased to welcome students from Princeton High School, whose participation through the UNESCO Associated Schools Network (ASPnet) highlights the importance of global understanding, education, and partnership.

Thank you for joining us this evening. We hope you enjoyed this celebration of music, learning, and international friendship as much as we did.


The programme was beautifully played and definitely sowed seeds of hope and peace in the hearts and minds of all those who attended.


Programme

J S Bach. Arioso from Cantata No. 156

Trad. Brudestykke from Sonderho Bridal Trilogy

Piazzolla       Oblivion featuring flautist Emily Yunqiao

Faure       Cantique de Jean Racine Sakamoto Forbidden Colours

Nadyala (orch. Cam)       Heartbeats featuring vocalist Tessa Boyle

Piazzolla       Libertango

Thompson      Alleluia

Manuel      Alleluia

Morricone      Cinema Paradiso

Ravel       The Enchanted Garden

Morricone        Gabriel's Oboe featuring flautist Emily Yunqiao

Lennon       Imagine featuring vocalist Tessa Boyle


This concert is supported by the English Chamber Orchestra's Close Encounters Community & Education Programme, which creates opportunities for young people to engage with music through performance, learning, and cultural exchange.


Music Director Choir of King's College London

Robert Loughran


Flute Princeton High School Orchestra

Emily Yunqiao


Vocalist

Tessa Boyle


In association with UNESCO Culture and Arts Education Week


Choir of King's College London

The Choir of King's College London is one of the university's principal musical ensembles, bringing together talented singers from across the College's diverse academic community. Under the direction of the King's College London Music Department, the choir performs a wide-ranging repertoire spanning centuries of choral music, from Renaissance masterpieces to contemporary works. The choir regularly presents concerts in London and beyond, collaborating with professional musicians, orchestras, and distinguished guest artists. Alongside its performance schedule, the ensemble plays an important role in the cultural life of the university, fostering musical excellence, creativity, and community among its members. Through its commitment to artistic achievement and collaboration, the Choir of King's College London continues to engage audiences with performances that combine musical integrity, enthusiasm, and a spirit of discovery.


Princeton High School Orchestra

The Princeton High School Orchestra is one of the leading student ensembles in New Jersey, bringing together talented young musicians in a programme that emphasises artistic excellence, collaboration, and personal growth. As part of Princeton High School's distinguished music department, the orchestra performs a diverse repertoire and regularly participates in concerts, festivals, and educational projects both locally and internationally. The orchestra is committed to developing musicianship, creativity, and leadership through performance, while fostering a strong sense of community among its members. Students benefit from a rich musical environment that encourages both individual achievement and collective artistic expression.


Through collaborations with educational, cultural, and professional organisations, the Princeton High School Orchestra provides its musicians with opportunities to engage with audiences and fellow performers from around the world, reflecting the school's commitment to global citizenship, cultural exchange, and lifelong learning.


www.unesco.org/en/weeks/arts-education


www.unesco.org/en/aspnet



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Ann Beatty • June 1, 2026
By Ann Beatty May 20, 2026
How a simple act of practical solidarity is transforming the journey to school in The Gambia’s Central River Region North Policies have been written. Schools have been built. Yet for many children in The Gambia’s Central River Region North, access to education is still measured in kilometres, not opportunity. 
By Laura Griffin May 13, 2026
‘In a single hour vast tracts of shaded woodland became a jumble of torn trees and upturned soil, exposed to the glare of the summer sun. Such land-clearing events are rare, but forests exhibit remarkable resilience in the face of disaster. I’m told that the Chinese character for ‘catastrophe’ is the same as that which represents the word ‘opportunity’. And, the blowdown, while catastrophic, presented opportunities for many species.’ (Wall Kimmerer, 2003: 89). In the context of a volatile, uncertain, complex, and ambiguous world (Stein, 2021) what kinds of education for hope might support children’s and young people’s critical engagement in local and global issues? In the spirit of exploring the possibilities of hope further, this short article focuses on the area of global citizenship and sustainabilityrelated education. It will briefly open by sharing commonalities across pedagogical approaches that take up the concept and act of hope more critically, and close by offering reflective questions for educators, with suggestions for further reading. Perhaps it is a kind of hope that is grounded in the present, in future reimagining(s), in ethical solidarity, and an acknowledgement of our deep entanglement with the living metabolism of planet earth 1 our singular home (UNESCO, 2021); a hope that engages with complex root causes and lived realities of multiple overlapping crises in critically reflexive and contextually relevant ways. As McCloskey notes, ‘Hope can fire our collective imagination and critical consciousness as a mainspring to activism and intervention in the world.’ (2025: 3). Commonalities across critical pedagogical approaches to hope include: Acknowledging the context of a ‘seamless single story of progress, development and human evolution’ (Andreotti, V.D.O., 2021b Relating to social and ecological justice and the wellbeing of people and planet Using participatory, action-orientated and inquiry-based learning processes Exploring diverse worldviews and perspectives Practising grounding in the present with opening up possibilities for change (relational, embodied, response-able 2 ) Experiencing ‘struggle’ in different forms (dialogical, selfreflexive, open-ended) Engaging individual and collective agency, action and activism Looking for lifelong and life-wide learning and unlearning. 1 See ‘Co-sensing with Radical Tenderness’, in Machado de Oliveira Andreotti. 2021a 2 See ‘Crossing Borders’ in 2 Depth Education “Depth Education and the Possibility of GCE Otherwise, 2021b. Source: Andreotti, V. 2021a & 2021b., Atif, A. (2025)., Bourn, D. 2021., Bryan. A. and Mochizuki,Y., 2024., Giroux, H.A. 2025., Meade, E. 2025. Whilst engaging in the concept and act of hope more critically reflect upon: What kinds of education for hope might you explore further and why? How might you provide generative spaces for engaging in diverse worldviews and perspectives? In what ways can you facilitate individual and collective agency? How might you support learners’ practice grounding in the present in order to relate differently? In what ways can you support learners in navigating complex root causes and lived realities of local and global issues? As Chief Ninawa Hini Kui affirms, ‘The future depends much less on the images we project ahead than on our capacity to repair relations and build relationships differently in the present.’ (Andreotti et al, 2023: 73. An invitation for further reading: Transformative Learning for a Sustainable Future . d’Abreu, C., Belgeonne, C., Bourn, D. and Hatley, J. (2025) ‘Transformative Learning for a Sustainable Future’. DERC Research Paper 24. London: UCL Institute of Education. Hospicing Modernity: facing humanity’s wrongs and the implications for social activism. Machado de Oliveira Andreotti, V. (2021a) ‘Hospicing Modernity: facing humanity’s wrongs and the implications for social activism’ , London: Penguin Random House. Development Education and Hope . McCloskey, S. (2025). (ed) ‘Development Education and Hope’. ‘Policy and Practice: A Development Education Review’ , Vol. 41, Autumn. Centre for Global Education, Belfast. Link to and download the full reference list here
By Susan Piper May 6, 2026
This summed up to me about why I volunteer for the Hands Up Project. HUP is a charity trust which, through its network of volunteers, connects children around the world with young people in Palestine. By means of online interaction, drama and storytelling activities, it enables the use of creativity and selfexpression to promote mutual understanding, personal growth, and the development of English language skills. I joined HUP in 2020 during COVID. After going to Palestine in 2017, I wanted to get more involved in working with Palestinian children in schools. HUP gave me the opportunity to link up with schools in the West Bank and Gaza. Every week I’d tell them stories from all over the world, then we’d discuss it, play games and I’d get them to retell it. Sometimes we would work from their coursebook English for Palestine’ in mutual team teaching sessions with their teacher. The simple act of telling a story became much more than entertainment. It became connection, healing, and a bridge to the world beyond their immediate reality to help them improve their language skills, and to give them a platform to speak about their lives in a language that connects them to people everywhere. I loved it, every week, seeing their smiling faces on the screen and building long lasting friendships with their teachers. I even went to Gaza in 2023 and met some of the kids I’d only seen on Zoom. It was a beautiful experience and something I will never forget. As hostilities escalated, I lost contact with everyone. I thought about where the kids were and what had happened to them. As I watched schools being bombed, universities flattened, and people killed in their thousands, I thought about where the kids I’d met were and what was happening to them. I kept in contact with many of the teachers I knew and heard daily news of displacement, destruction, hunger and bombing. Recently, I’ve started to link up again with children in Gaza, and it feels wonderful to be back helping them learn after being denied an education for over two years. Connecting with children in Palestine is more than just words. When a child in Palestine confidently tells their story to someone on the other side of the world, bridges are built, empathy grows, and the world gains a fuller picture of childhood in contexts far from peace and privilege. My work with these children is rooted in the belief that education and voice are inseparable. Through storytelling and English language learning, I witness children not just learning new vocabulary, but reclaiming their narratives, believing in their potential, and finding human connection in a world they perceive has abandoned them. And more than anything, this work reminds us all that children — everywhere — deserve to learn, to speak, and to be heard. Links to HUP information, books and resources: The Hands Up Project BY SUSAN PIPER Susan Piper is currently an ESOL teacher in Oldham, Greater Manchester and has worked in education for over 30 years. She is also a volunteer for the Hands Up Project and is the International Solidarity Officer and President of her NEU district. She believes in quality education for all and aims to make her lessons creative and inclusive so that effective language learning can take place.