Drawing is a vital tool for education, more so now than ever

2020 was a year of seismic events impacting on world economies, technology, health, culture, politics and, undoubtedly, education.

School closures and the impact on education revealed the realities of home schooling, the reliance a country’s workforce places on an education system, and the disparity across countries and around the world in access to resources, digital networks and technical devices. Looking at education over the last year, the impact on this societal human construct has been significant, the fragility and inequalities of many systems and processes laid bare for all to see, resulting in many calling for change.

Over the past year, with so many of us living in a physically distanced world, this has not only impacted on our external, physical world, but also, perhaps to an even greater extent, on the collective human psyche. Lockdown has offered many people time for introspection and positive reflection. This time has allowed people to reconnect with long forgotten creative pursuits, or to discover new ones. Creativity in so many different forms – drawing, painting, printing, knitting, sewing, making, crafting - has emerged as a truly universal tool that can build bridges, communicate across oceans and make dreams a reality.

Running since 2000, The Big Draw Festival is the world’s biggest drawing festival and an annual celebration of the power of drawing, with hundreds of schools from all over the world taking part. For many students, drawing is a means of understanding the world, how it looks, and how it works. There is ever-increasing evidence to suggest that drawing is the single most powerful tool for learning and retaining new ideas.


Part of the core activity at The Big Draw is to actively argue the case for creativity in schools and in the workplace. With our ongoing work in visual literacy and creativity, The Big Draw is only too aware of the devastating impact the EBacc (UK) has had on the uptake on creative subjects at schools. Within the UK, we support the Bacc for The Future campaign and continue to work with our ambassadors and patrons to lobby in parliament to make the case for creativity.


Drawing is a transferable skill which can be integrated into the entire curriculum, and we at The Big Draw believe everyone can draw and everyone should have access to the benefits of drawing. It is a vital tool in many professions: from mathematicians, to surgeons, architects to engineers, therapists, political commentators to graphic designers. The humble pencil has built many a pioneer within every profession you can imagine.


And so, we can reveal that our festival theme for this year is a creative call for action, building on last year’s theme which focused on the environmental crisis. We expand this theme for 2021 to one of activism and sustainable living, and invite you all to act as champions to help ‘Make the Change’.


From Engage issue 22.


BY KATE MASON, DIRECTOR OF THE BIG DRAW • May 28, 2021
By Ann Beatty June 1, 2026
On Friday evening ( 29 May, 7.00 pm The Actors Church Covent Garden) we had the pleasure of listening to this very special concert, bringing together the Choir of King's College London and the Princeton High School Orchestra in a celebration of international friendship, collaboration, and shared values. This project reflects a commitment to peace, sustainability, equality, and cultural exchange, uniting young musicians from the United Kingdom and the United States through the universal language of music.
By Ann Beatty May 20, 2026
How a simple act of practical solidarity is transforming the journey to school in The Gambia’s Central River Region North Policies have been written. Schools have been built. Yet for many children in The Gambia’s Central River Region North, access to education is still measured in kilometres, not opportunity. 
By Laura Griffin May 13, 2026
‘In a single hour vast tracts of shaded woodland became a jumble of torn trees and upturned soil, exposed to the glare of the summer sun. Such land-clearing events are rare, but forests exhibit remarkable resilience in the face of disaster. I’m told that the Chinese character for ‘catastrophe’ is the same as that which represents the word ‘opportunity’. And, the blowdown, while catastrophic, presented opportunities for many species.’ (Wall Kimmerer, 2003: 89). In the context of a volatile, uncertain, complex, and ambiguous world (Stein, 2021) what kinds of education for hope might support children’s and young people’s critical engagement in local and global issues? In the spirit of exploring the possibilities of hope further, this short article focuses on the area of global citizenship and sustainabilityrelated education. It will briefly open by sharing commonalities across pedagogical approaches that take up the concept and act of hope more critically, and close by offering reflective questions for educators, with suggestions for further reading. Perhaps it is a kind of hope that is grounded in the present, in future reimagining(s), in ethical solidarity, and an acknowledgement of our deep entanglement with the living metabolism of planet earth 1 our singular home (UNESCO, 2021); a hope that engages with complex root causes and lived realities of multiple overlapping crises in critically reflexive and contextually relevant ways. As McCloskey notes, ‘Hope can fire our collective imagination and critical consciousness as a mainspring to activism and intervention in the world.’ (2025: 3). Commonalities across critical pedagogical approaches to hope include: Acknowledging the context of a ‘seamless single story of progress, development and human evolution’ (Andreotti, V.D.O., 2021b Relating to social and ecological justice and the wellbeing of people and planet Using participatory, action-orientated and inquiry-based learning processes Exploring diverse worldviews and perspectives Practising grounding in the present with opening up possibilities for change (relational, embodied, response-able 2 ) Experiencing ‘struggle’ in different forms (dialogical, selfreflexive, open-ended) Engaging individual and collective agency, action and activism Looking for lifelong and life-wide learning and unlearning. 1 See ‘Co-sensing with Radical Tenderness’, in Machado de Oliveira Andreotti. 2021a 2 See ‘Crossing Borders’ in 2 Depth Education “Depth Education and the Possibility of GCE Otherwise, 2021b. Source: Andreotti, V. 2021a & 2021b., Atif, A. (2025)., Bourn, D. 2021., Bryan. A. and Mochizuki,Y., 2024., Giroux, H.A. 2025., Meade, E. 2025. Whilst engaging in the concept and act of hope more critically reflect upon: What kinds of education for hope might you explore further and why? How might you provide generative spaces for engaging in diverse worldviews and perspectives? In what ways can you facilitate individual and collective agency? How might you support learners’ practice grounding in the present in order to relate differently? In what ways can you support learners in navigating complex root causes and lived realities of local and global issues? As Chief Ninawa Hini Kui affirms, ‘The future depends much less on the images we project ahead than on our capacity to repair relations and build relationships differently in the present.’ (Andreotti et al, 2023: 73. An invitation for further reading: Transformative Learning for a Sustainable Future . d’Abreu, C., Belgeonne, C., Bourn, D. and Hatley, J. (2025) ‘Transformative Learning for a Sustainable Future’. DERC Research Paper 24. London: UCL Institute of Education. Hospicing Modernity: facing humanity’s wrongs and the implications for social activism. Machado de Oliveira Andreotti, V. (2021a) ‘Hospicing Modernity: facing humanity’s wrongs and the implications for social activism’ , London: Penguin Random House. Development Education and Hope . McCloskey, S. (2025). (ed) ‘Development Education and Hope’. ‘Policy and Practice: A Development Education Review’ , Vol. 41, Autumn. Centre for Global Education, Belfast. Link to and download the full reference list here